The invisible wish granters

DSCF3676

©Rana Pandey

To be in India is sometimes scary, sometimes uncertain, sometimes violent, sometimes moody and almost every time paradoxical. For me, India’s real strength lies in its people. The world’s largest democracy is a rich tapestry of multiple socio-cultural identities woven into a perfect single nation. And no other practice in this country glories India’s diversity like the institution of prayer does. When you are in India it is absolutely normal for you to witness people worshipping animals, trees, holy rivers, mountain peaks and even ‘Djinns’. Djinns are supernatural creatures born out of smokeless fire whose lifespan is over thousands of years and who are capable of granting wishes to those who come and pray.

Creator

Rana Pandey

Location

India

Date

Feb. 9, 2022

Why do we pray?

While working on my project ‘Why do we pray?’, which I started roughly three years ago and through which I tried to explore the true power and purpose of prayer, I discovered a very peculiar practice of ‘Djinn worship’ in Delhi, India’s capital. It takes place in the dingy alcoves and chambers of the Feroz Shah Kotla fort every Thursday. With each visit to its ruins, my curiosity regarding the ‘Djinns’ increased. I was determined to explore the nuances of this long-lived ritual and document the committed devotees who visit the fort weekly.

For me, India’s real strength lies in its people.

DSCF3440

©Rana Pandey

What is a Djinn?

This time-tested relic, the Feroz Shah Kotla fort, was built by the Tughlaq emperor Feroz Shah Tughlaq and is one of the oldest buildings in Delhi. It is believed that Feroz Shah Kotla is the abode of numerous ‘Djinns’. According to the Islamic mythology, ‘Djinns’ are supernatural spirits made of fire who can grant any wish and solve any problem. In Arabic the word ‘Djinn’ means ‘invisible’. They are believed to be shape-shifters who possess magical powers and help humans. However, they are also feared for their ill-temper and wrath. Countless people, desperately hoping to get their prayers heard. They write letters, light candles, offer flower petals, stick coins on the walls of the fort, whisper their wishes, leave locks in the railings and ask for forgiveness. Once their wishes are granted, people even return to distribute food as a gesture to please the ‘Djinns’ and celebrate. The worshippers often leave behind food for the animals to feed because they believe that the ‘Djinns’ feed through animals and birds. Some even offer meat to the eagles and kites that hover over the ruins of the fort.

Starting to breathe the air of a place

When I first visited the narrow chambers of this 14th century marvel, I could feel the eeriness in the air. It was a Thursday evening and all I would hear were the wails of weeping men and women and their endless whisperings. The chambers were dimly lit with clay lamps and I felt claustrophobic in them. Each chamber was filled with numerous people praying frantically hoping that the ‘Djinns’ would ease their troubles and put an end to their miseries. One of the devotees who was tying a thread in the railing of the old fort warned me not to lurk around the premises if I have no intention to offer my prayers to the ‘Djinns’ as it may annoy them and they may even try to harm me.

DSCF6263

©Rana Pandey

quote icon

My prime aim has always been to uncover the incredible peculiarities of the numerous cultures that peacefully coexist in India.

©Rana Pandey

DSCF3510

©Rana Pandey

Diligent perservance

Still, I continued to visit the fort on Thursdays to witness countless people flocking there desperately hoping to get their prayers heard. The worshippers leave letters and passport size photos of missing family members and friends, expecting the ‘Djinns’ to help them find their lost loved ones. Some even pin photo copies of filled up job application forms on the walls of the forts. They strongly believe that ‘Djinns’ can resolve and reduce any difficulty in their lives.

DSCF6283prayer

©Rana Pandey

The cobblestone alleys of the fort were always filled with smoke. So much so that I had to keep a handkerchief in my pocket to ease my watery eyes every time I entered the hallways to take pictures. I could not stay in the chambers for more than fifteen minutes as I used to have trouble breathing because of the intense smoke and lack of fresh air.

DSCF3696

©Rana Pandey

A peaceful coexistence

In all my visits to the fort, I intended to catch people unaware and in their private time when there was a unity between their soul and their spirit. My prime aim for my project ‘Why do we pray?’ has always been to uncover the incredible peculiarities of the numerous cultures that peacefully coexist in India. Prayer for me is the greatest art form which expresses the inner yearnings of the human soul. It is a spiritual state of unity between the soul and the spirit; a long winding pathway to find our true selves. Because it is in what we ask during prayer that truly defines who we are.

Case studies

my-climate_header
CASE STUDY

November 2023 - Josemarie Nyagah

Climate Protection in Photos

myclimate and Fairpicture joint forces to capture authentic impact stories of their climate protection projects.

header
CASE STUDY

August 2023 - Katya Moskalyuk Keren Lasme Narin Saobo

Collaboration on an international exhibition

Care Germany worked with visual creators to portray midwives in Côte d'Ivoire, Uganda, Cambodia and Ukraine.

solidar-suisse_header_01
CASE STUDY

June 2023 - Katya Moskalyuk

Depicting displaced people with dignity

Authentic photos which reflect the work of a humanitarian aid organisation and preserve the dignity of the people.

Stay up to date

Get our monthly newsletter

Fairpicture is moving fast. Make sure you don't miss out on the newest news. Join our email newsletter and connect with us on LinkedIn and Instagram.

After signing up for the newsletter, you will also receive occasional emails about events and offers from Fairpicture. You may opt out any time. Here’s our privacy policy.