by Jörg Arnold, March 2022
These days, some think that nationalism and weapons are the appropriate instruments to create a secure order in a confusing and unstable world. Others trust in the growth of the past years and in the creative power of the free market. Again others seek salvation in religion and in the belief in a superior, protective power. And what does Fairpicture do?
Instead, we believe in networks that collectively and quickly develop and implement sustainable solutions. The framework for these networks are the Sustainable Development Goals SDGs, which the member states of the United Nations agreed on in 2015. Are they suddenly irrelevant and outdated by history, now, in March 2022? On the contrary, they are indispensable, given the situation in which the global community finds itself. Of course, we can drop bombs, multiply money or pray all over the world. But this will not save the future livelihoods of our children and grandchildren. If the latest IPCC report on climate change shows one thing, it’s this: time is running against us.
But what does Fairpicture have to do with all this? Quite simply: visual creators play an important role in addressing global challenges. For example, they document the social, political and ecological hotspots of climate change. They visualise complex contexts with their stories of actual people and communities. They report on success stories of people adapting and getting used to their new, often difficult circumstances. They provide insights into realities and destinies that we otherwise carelessly pass by. Their visual material plays a key role in shaping our view of and attitude toward the world. This is because we think in images and cannot be dissuaded from the conviction that photographs and videos depict the events around us as reliable realities. Images create closeness, arouse feelings and promote the viewer's willingness to take responsibility. This is precisely why information wars are fought with images.
Images are more than illustrations. They dominate today's communication streams and shape the perception of our time. Images are powerful, and those who communicate with them bear a special responsibility. The concept of fair photography and fair videography is therefore not just a trend. It’s about acting responsibly in an industry that is powerful and has a wide reach. Clichéd images reproduce power relations, hurt and marginalise. Lack of transparency, traceability, and context undermine trust. Violating the rights of those photographed discriminates and threatens their personal integrity and safety. Mainstreaming in storytelling and lack of local ownership in visual content production limit perspectives and leave out diversity. We need fair images to avoid making these mistakes. We need images that use the talents of local image creators, respect the rights of those photographed, protect the interests of those who commission them, build public trust and, finally, call for responsible action.
Images provide access to the social, political and ecological challenges of our time. They convey insights into the necessities of action. But time is short. As a global society, we simply can no longer afford lies, exclusion and other detours. Visual communication can make a contribution so that the global mindset moves from "waiting" to "acting". Those who communicate must take responsibility for what they communicate. No more, no less.
March 2023 - Miša Krenčeyová
The images that come into your mind when you think of the term “Third World”, will most probably be related to this symbolic figure - through language.
Learn more about In social justice, internal language guidelines are never “done”
December 2022 - Miša Krenčeyová
– and that’s why it matters. Miša Krenčeyovás blog post about the starting points for striving towards fair representation.
Learn more about Representation is not reality – and that’s why it matters
February 2023 - Anne Nwakalor
Anne Nwakalor explores the importance of consent within the context of the Global South – something which shouldn't be considered insignificant any longer.
Learn more about Children are Not Props: Consent in the Global South